tuesday-johnson:

ca. 1855-95, [carte de visite portrait of Tom Coughlan sitting within a studio prop window], Charles Lake Cramer

via the Yale Collection of Western Americana, Beinecke Rare Book and Manuscript Library, Carl Mautz Collection

oldbookillustrations:

Quand le Diable devient vieux, il se fait ermite (When the Devil gets old, he becomes a hermit).

Jean-Jacques Grandville, from Cent proverbes (one hundred proverbs), collective work, Paris, 1845.

(Source: archive.org)

treselegant:

‘Types of English Beauty - Mrs Brate.’

The Strand Magazine, 1893. 

stalinistqueens:

shephaestion:

three Yale students in drag, c. 1883.

where is my time machine so logo can sponsor RuPaul’s Victorian Drag Race !

I think I’ve reblogged this before, but they are precious okay.

(via sydneyflapper)

my-ear-trumpet:

“Mill’s logic’ (Punch cartoon) The cartoon mocks John Stuart Mill’s attempt to replace the term ‘man’ with ‘person’, ie give women the right to vote, in the second Reform Bill of 1867. PRO LIBRARY Punch, p.129 (30 March 1867). Caption: MILL’S LOGIC; OR, FRANCHISE FOR FEMALES. “PRAY CLEAR THE WAY, THERE, FOR THESE - A - PERSONS.”

(Source: absolutefucker, via lordy-lou)

heracliteanfire:

Portrait of Queen Victoria. Lanchun, C19th. (via British Museum)

(via savage-america)

A pile of bison skulls, Kansas, 1870s

(Source: psychoactivelectricity, via theodditiesblog)

theoddmentemporium:

Tear Catcher

A tear catcher, also called a Tear Bottle is typically an ornamental vase piece, made from blown glass and dyed appropriately to the creator’s taste. There is an attached glass fixture at the opening of the stem that is formed to [the] eye. In ancient Persia, when a sultan returned from battle, he checked his wives’ tear catchers to see who among them had wept in his absence and missed him the most.

Tear Catchers were commonly used during Ancient Roman times, with mourners filling glass bottles with their tears, and placing them in tombs as a symbol of their respect for the deceased. It was also used to show remorse, guilt, love and grief. The women cried during the procession, and the more tears collected in tear bottles meant the deceased was more important. The bottles used during the Roman era were lavishly decorated and measured up to four inches in height. Tear bottles were designed with special seals, which allowed the tears to evaporate. By the time that the tears were assumed to have evaporated, the mourning period was considered over.

In the 19th century during the Victorian era in the British Empire tear bottles made a comeback among the wealthy. These were more elaborate than their Roman predecessors, and were often decorated with silver and pewter.

[Image: Silver Victorian tear catcher]