So let us assume that at least some of these women (and we can surmise from their skirts that they are predominantly women) were the mothers of the children they held. What is perhaps strangest to me is the number of women who are not wearing a black covering–something that would blend into the background, especially once the images were cropped or matted, as several have commented they would be. Instead, however, several women are draped in pattered throws…These mothers are not merely effaced–they are shown to be effaced. Their absence becomes a presence in these images; indeed, it becomes the focal point of the images. These images, consciously or unconsciously, mark the mother–or the mother-proxy–as the subject of effacement.
A lamp, a chaise, a rug, a mother. Domestic objects all.